Alec Monopoly’s art is instantly recognisable by his use of the character Rich “Uncle” Pennybags, the Monopoly board game’s suited mascot, as a symbol of capitalist greed. Monopoly uses a cartoonish style to comment on real world problems, fundamentally creating a simplified yet somewhat exaggerated message that is justified in its observation of a broken economic and political system.
The street artist rose to fame during a wave of uncertainty following the recession. The collapse and scandals that followed suit served as further inspiration, with Monopoly treating trusted high-profile individuals such as Bernie Madoff as a modern day ‘Wolf of Wall Street’ and the ultimate symbol of financial collapse. Monopoly also uses characters such as Scrooge McDuck and Richie Rich in his work, which largely serves as a reflection of the faults and flaws in current or former economic frameworks.
Ahead of his Hong Kong debut at Above Second gallery this March, Monopoly tells Hong Kong Tatler about his first impressions of Hong Kong, and his view on the rising popularity of street art:
Hong Kong Tatler: Can you tell us about your work and the idea you want to put across?
Alec Monopoly: I originally started painting the Monopoly Man as graffiti during the financial crisis as a commentary on capitalism, but over time the imagery and themes have evolved into a representation of success, ambition and accomplishment.
HKT: Where do you think the value lies within street art?
AM: There is rawness and realness in street art that I think translates well onto canvas for many artists. It’s a much more in your face subcultural within the arts, and I think people have gravitated towards that.
HKT: Is street art vandalism?
AM: It’s impossible to make a generalisation. Some street art is destructive, while in many other instances street art can elevate and breathe new life into an entire neighborhood or area.
HKT: How do you feel about the rising popularity of street art and the use of graffiti?
AM: I think that it’s amazing to see graffiti and street art evolve and grow up. Artists are finding success and being given the means to break past street art and into contemporary art, and get recognition on a world level. I think it’s also intriguing for collectors to be able to follow street artists closely, where they have been, what they are doing and what their latest tags are.